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album cover received more than its fair share of criticisms at the time, less knee-jerk reactive eyes can now see the artwork as a classic summation of her sound.The loud, jarring colors mix with pixelated lettering (the kind you'd find on a junky Internet site), African patterns and a repeated call to "Fight On." As she later told , the art was inspired by and cribbed from everything from "dictator fashion to old stickers on the back of cars…This was the perfect artwork for the Man in Black's fade to black. Set against Wisconsin's Lake Mendota after an ice storm, winter-clad Mitchell stares down the viewer as an open highway extends mysteriously into her person (via a superimposed photo), suggesting the freedom and limitless possibilities contained within her music. Seemingly endless rows of dead soldiers extend into the blood-red horizon, with each grave connected to a string pulled by a faceless master in the sky.It's the visualization of Black Sabbath's similarly political "War Pigs." Though technically, yes, it's an image of three topless women caked in mud, there's nothing remotely sexualized about this album cover.

When the chorus of "Zero" hits less than a minute into the record, this is exactly how you feel.

The small home at the end of a dirt road isn't depicted as a middle-of-nowhere shack -- instead, the lush colors of the landscape and the glowing porch lights give it a solitary dignity and homey allure.

’s first cover model) possesses the “maggot brain” in question on the cover of Parliament’s classic 1971 album of the same name.

when people look at it in 10 years I want them to remember a certain time, and hopefully they get a 3-D sense -- the shapes, the prints, the sound, film, technology, politics, economics, everything." For her 1997 masterpiece, country singer-songwriter Lucinda Williams paints a detailed world of broken hearts in bar, overworked mothers and deferred dreams.

The cover art goes a long way toward conveying Williams' vision of the American south as a place of lonely strength.

A big part of that was due to the perfect cover art, depicting all the singers as dangerous, wanted outlaws from the Old West. With Janet's face only partially emerging from the shadows and her body clad in a nondescript soldier's uniform, the artwork made label execs uneasy, but in the end, she was right.

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