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Julia's husband, Lucius Aemilius Paullus, was put to death for conspiracy against Augustus, a conspiracy Ovid might have known of.

The Julian Marriage Laws of 18 BC, which promoted monogamous marriage to increase the population's birth rate, were fresh in the Roman mind.

Other sources include Seneca the Elder and Quintilian.

His father wanted him to study rhetoric toward the practice of law.

The Imperial scholar Quintilian considered him the last of the Latin love elegists.

The authenticity of some of these poems has been challenged, but this first edition probably contained the first 14 poems of the collection.

The work encyclopedically catalogues transformations in Greek and Roman mythology, from the emergence of the cosmos to the apotheosis of Julius Caesar.

The stories follow each other in the telling of human beings transformed to new bodies: trees, rocks, animals, flowers, constellations etc.

However, in view of the long time that elapsed between the publication of this work (1 BC) and the exile (AD 8), some authors suggest that Augustus used the poem as a mere justification for something more personal.

In exile, Ovid wrote two poetry collections, Tristia and Epistulae ex Ponto, that illustrated his sadness and desolation.

He was part of the circle centered on the patron Marcus Valerius Messalla Corvinus, and seems to have been a friend of poets in the circle of Maecenas. 4.10.41–54, Ovid mentions friendships with Macer, Propertius, Horace, Ponticus and Bassus (he only barely met Virgil and Tibullus, a fellow member of Messalla's circle whose elegies he admired greatly).

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